Each storyline is held in suspense while the viewer is taken deeper Parenthetical structure to move to a different story through a newspaperĪrticle or through an X-ray scan, the audience is transported to a different While making “The Forbidden Room”, Maddin and Johnson drew fromįrench novelist Raymond Roussel’s nested writing structure: parentheticalsĭigress deeper into certain words and themes. Room” is a nightmarish resurrection and amalgamation of these lost films. These films through the ancillary information they’ve unearthed. The movie opens with a quote from the Bible: “Gather up the leftover fragments so that nothing will be lost.” Guy MaddinĪnd his co-director Evan Johnson gather fragments of information about lost films from the silent era and recreate The movie, which has just been picked up by Kino Lorber for theatrical distribution, is both exhilarating and confrontational in its nonstop barrage of imagery. At Sundance, Guy Maddin’s “ The Forbidden Room” drew comparisons to Franz Kafka and “Too Many Cooks,” as well as a steady stream of walkouts from its world premiere.
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